标题: 伊尼戈-曼格拉诺-奥瓦莱 摄影家 [打印本页] 作者: shiyi18 时间: 2022-3-8 20:20 标题: 伊尼戈-曼格拉诺-奥瓦莱 摄影家 Iñigo Manglano-Ovalle
Photographer, Sculptor, and Installation Artist | Class of 2001
Portrait of Iñigo Manglano-Ovalle
Title
Photographer, Sculptor, and Installation Artist
Location
Chicago, Illinois
Age
40 at time of award
Area of Focus
3-D Visual Art, Photography
Website
inigomanglano-ovalle.com
Published October 1, 2001
ABOUT IÑIGO'S WORK
Iñigo Manglano-Ovalle is an artist using photography, video, sound, and sculpture to create works that illuminate our notions of personal identity and community. Manglano-Ovalle’s art has focused on universal issues of identity, class, and the role of the individual in a multiethnic, technologically changing society. In The Garden of Earthly Delights, a series of triptychs composed of digitized images of DNA samples, he reveals striking similarities and differences among the biological blueprints of acquaintances and family members. In other installations, Manglano-Ovalle incorporates the architecture of Mies van der Rohe as a visual metaphor for modernity, privilege, and authority. Le Baiser (The Kiss) speaks to issues of isolation and attachment imposed equally by contemporary architecture and the barriers of social class.
BIOGRAPHY
Iñigo Manglano-Ovalle received a B.A. (1983) from Williams College and an M.F.A. (1989) from the School of the Art Institute of Chicago. He is an associate professor at the School of Art and Design in the College of Architecture and the Arts at the University of Illinois, Chicago. His solo exhibitions include Woofer (1997), The Garden of Earthly Delights (1998), Sonambulo II (Blue) (1999), and Climate (2000). He has also participated in numerous group exhibitions, including the Transmute (1999) and the Whitney Biennial (2000).
Last updated January 1, 2005.
伊尼戈-曼格拉诺-奥瓦莱
摄影家、雕塑家、装置艺术家|2001级
伊尼戈-曼格拉诺-奥瓦列的画像
标题
摄影师、雕塑家和装置艺术家
工作地点
芝加哥，伊利诺伊州
年龄
获奖时40岁
重点领域
3-D视觉艺术, 摄影
网站
inigomanglano-ovalle.com
2001年10月1日出版
关于伊尼戈的作品
Iñigo Manglano-Ovalle是一位使用摄影、录像、声音和雕塑的艺术家，他的作品照亮了我们对个人身份和社区的概念。Manglano-Ovalle的艺术专注于身份、阶级和个人在一个多民族、技术变化的社会中的作用等普遍问题。在《人间乐土》（The Garden of Earthly Delights）中，一系列由DNA样本的数字化图像组成的三联画，他揭示了熟人和家庭成员的生物蓝图之间惊人的相似和不同。在其他装置中，Manglano-Ovalle将Mies van der Rohe的建筑作为现代性、特权和权威的视觉隐喻。Le Baiser (The Kiss)讲述了当代建筑和社会阶层的障碍所带来的隔离和依恋问题。
个人简历
Iñigo Manglano-Ovalle在威廉姆斯学院获得学士学位（1983年），在芝加哥艺术学院获得艺术硕士学位（1989年）。他是伊利诺伊大学芝加哥分校建筑和艺术学院的艺术和设计学院的副教授。他的个展包括Woofer（1997年）、The Garden of Earthly Delights（1998年）、Sonambulo II（蓝色）（1999年）和Climate（2000年）。他还参加了许多群展，包括Transmute（1999）和惠特尼双年展（2000）。
